Committed to studying and enhancing his gift, he traveled across the country, gaining knowledge from the workshops and seminars offered by Ron Winans, Michael Brooks, John P Kee, and the Gospel Music Workshop of America.

“Someday” is a remake of the Civil Rights anthem "We Shall Overcome." I pray this song causes us to reflect on and rehearse the impact that the 50's and 60's played in the civil liberties many people now take for granted.

“It’s a form of art that’s all-encompassing,” she explained in a phone interview with The Harvard Crimson, describing how the shows’ reality-bending narratives “maybe don’t make a lot of galactical sense but hit the intuition chord, and that deep feeling – that sort of dreamlike place within that you can’t really make sense of.”

“I was trying to give the fans something that wasn’t too left field,” he says about the sound of his latest album, Emotions Running High, which was released in November. 

The song also comes with a visualizer, a glitchy and shakily-shot film — reminiscent of vintage VHS tapes — that gazes at the artist as she sits kneeling with her arms wrapped around her legs.

The moment will prove a triumphant homecoming for an artist (real name: Jason DeFord) who has gone from selling mixtapes out of his car in his hometown of Nashville suburb Antioch, and releasing over a dozen independent albums, to becoming a genre-fluid hitmaker with a No. 1 on Billboard’s Mainstream Rock Airplay chart (“Dead Man Walking”) and a Top 10 (and rising) on the Country Airplay chart (“Son of a Sinner”).

Presume is a dynamic artist, but everything he releases comes across as deeply genuine and personal, and that’s part of what makes him such a compelling figure in an increasingly robotic and manufactured industry right now.

Whilst PinkPantheress strives to maintain a relatively low profile, to hell with it has been widely celebrated since its release, with the young artist being named BBC Sound of ‘22 (Adele and Haim are amongst the previous winners).

Alchemizing indie, post punk, synth wave, and alternative influences, EKKSTACY’s fusion of lo-fi production and intimate songwriting makes for an impressive introduction to the Vancouver native. EKKSTACY is more confident and energized than ever. 

BOY ANONYMOUS was the introduction, eight tracks that ranged from melancholic to furious, with howled melodies and John Carpenter references bouncing off huge electric guitars and bass.

“Jazz school dropout at 21 / Disappointed my dad, did it just for fun / Had to choose between being broke and bored / So I cut my losses and I left New York,” she sings on “23,” a song she wrote when she was 22 years old.